A Music Composition Model with Genetic Programming: A Case Study of Chord Progression and Bassline
Created by W.Langdon from
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- @TechReport{weko_142733_1,
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author = "Kanae Kunimatsu and Yu Ishikawa and Masami Takata and
Kazuki Joe",
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title = "A Music Composition Model with Genetic Programming: A
Case Study of Chord Progression and Bassline",
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institution = "IPSJ SIG Technical Report",
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year = "2015",
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type = "MPS-104",
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number = "7",
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address = "Japan",
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month = "27 " # jul,
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keywords = "genetic algorithms, genetic programming",
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URL = "http://id.nii.ac.jp/1001/00142669/",
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URL = "https://ipsj.ixsq.nii.ac.jp/ej/IPSJ-MPS15104007.pdf",
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URL = "https://ipsj.ixsq.nii.ac.jp/ej/?action=pages_view_main&active_action=repository_view_main_item_detail&item_id=142733&item_no=1&page_id=13&block_id=8",
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size = "4 pages",
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abstract = "In this paper, we present the improvement of our
automatic music composition model using genetic
programming, which is constructed with two independent
but cooperative models for chord progression and
melody. The improvements are the chord progression
generation model and the bassline generation model. The
chord progression generation model, considering tension
notes, generates chord progression suitable for jazz
blues. In the music theory, tension notes that are
granted for the corresponding chords are determined for
some cases but it is not easy to automatically
determine what to apply from such theoretical chords.
In this model, by focusing on the relation between the
chord top notes with tension notes and melody tones, we
attempt to automatically generate chords. Further, by
adding the bassline generating part, this system is
applied to Jazz improvisation.",
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notes = "in Japanese",
- }
Genetic Programming entries for
Kanae Kunimatsu
Yuu Ishikawa
Masami Takata
Joe Kazuki
Citations